
92nd Street Y, a Storied Home of Dance, Gives It More Space
With a renovation, new studios and the return of dance to the Kaufmann Concert Hall, an institution once central to dance in New York invests in its future.
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With a renovation, new studios and the return of dance to the Kaufmann Concert Hall, an institution once central to dance in New York invests in its future.
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Baras’s show, the only dance production in this year’s Flamenco Festival New York, was looser than usual, with soothing moments and good times.
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With a new biography and a production of “Les Noces,” the time has come to reconsider the choreographer, whose work and reputation have languished in the shadows.
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Bobbi Jene Smith and Or Schraiber seem to have had a thousand ideas for “Pit.” All of them appear to have been included.
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In 1936, Graham choreographed this scorching response to the rise of fascism.
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“You are the center of your own world. Any space is important,” the Congolese choreographer Faustin Linyekula told members of It’s Showtime NYC.
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“Ballerinas never crash,” said Lauren Lovette, but, “I love falling to the floor.”
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In Abby Zbikowski’s “Radioactive Practice,” a dancer says, “You’re seeing survival and community in real time.”
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