The New York Times International Edition in Print for Tuesday, Aug. 2, 2022

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      On nearly every track on her new album, “Renaissance,” Beyoncé sounds like she’s experiencing something personally new and privately glorious: unmitigated ecstasy.
      CreditMason Poole

      Critic’s Pick

      America Has a Problem and Beyoncé Ain’t It

      On “Renaissance,” the pop star’s seventh solo album, she finds escape, rebirth, community, pleasure and control in decades of dance music steeped in Black queer bravado.

      By

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