Making Museums Moral Again
The impact of corporations on the art world has divested museums of their roles as explainers of history and providers of life lessons. Is it too late to change that?
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The impact of corporations on the art world has divested museums of their roles as explainers of history and providers of life lessons. Is it too late to change that?
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As new institutions sprout up around the country, administrators and architects are incorporating environmentally-friendly design features.
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Seeking to welcome a broader public, a Kentucky institution is recruiting trustees who vary in race, age, profession and income.
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Garments as gadgets (and how they got that way) at the Costume Institute, the High Museum in Atlanta and the Museum of Fine Arts, Boston.
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The North Carolina Museum of Art in Raleigh is building a park that is intended not as a sculpture garden but a setting for sun worshiping, biking and socializing.
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The High Museum of Art in Atlanta will offer a comprehensive show of the photographer’s work, beginning in June.
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“Turquoise Mountain,” organized by the Sackler and Freer, imports rug weavers, jewelers, carpenters and other artisans into museum precincts to show off their crafts.
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Charles C. Bergman, who has run the Pollock-Krasner Foundation for over 30 years, met Pollock at a party in 1953.
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Eli Wilner, a framer of priceless art, has an app, eWilner Frames, that lets users choose a virtual copy from his inventory and apply it to a photo.
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